Finally, one passport for all countries
At the Investec Cape Town Art Fair, Zimbabwean artist Richard Mudariki unveils the Artworld Passport, a transformative piece that questions global art mobility. This participatory artwork invites viewers to engage in a collective narrative, emphasizing the importance of access within the art community.

A Passport Without Borders: Richard Mudariki Challenges Art World Mobility at Investec Art Fair
From 20–22 February 2026, the Investec Cape Town Art Fair became the stage for a remarkable artistic endeavor. Zimbabwean artist Richard Mudariki presented the Artworld Passport, a small booklet that carries immense significance. This work transcends mere artistry; it serves as a living, breathing commentary on the mobility challenges faced by African creatives in the global art landscape.
Art as a Living Archive
The Artworld Passport is unique in that it exists not just as a singular object, but as a collective experience. Each passport is a fragment of a broader conceptual piece, passed along from holder to holder. It is stamped, written in, and photographed, growing richer with every interaction. In this way, it becomes an archive in motion, echoing the complexities of migration and artistic exchange.
Questioning Mobility
At its core, the Artworld Passport challenges a fundamental question: Who is allowed to move freely in the global art world? Mudariki’s work acts as both a metaphor and a mirror, reflecting the bureaucratic barriers that often hinder artists from the Global South. In an industry dominated by biennales, fairs, and residencies, mobility is a form of currency, yet it is often inaccessible due to visa regimes and shifting geopolitics.
A Timely Presentation
This presentation marks the first time the Artworld Passport has been showcased on African soil, following its debut during Frieze Week New York in 2024 and Art Basel Week in 2025. Its arrival in Cape Town feels particularly poignant, as the city has long been shaped by migration and layered histories. Here, the artwork not only adds to the dialogue about access but also serves as a reminder of the stories embedded in every journey.
Participatory Experience
What makes the Artworld Passport truly special is its participatory nature. Each new stamp contributes to a real-time record of access, exclusion, and negotiation. Every holder of the passport becomes a co-author, enriching this living document of 21st-century art mobility. This collective engagement embodies the spirit of ubuntu, where individual visions are strengthened through shared experience.
Redefining Narratives
As the Artworld Passport circulates, it quietly reshapes the narrative of African creativity. It serves as a reminder that when African artists travel—whether through ideas, people, or platforms—they redefine the conversation surrounding art on a global scale. Mudariki’s work emphasizes that when we move together, the story moves further, challenging the status quo and advocating for greater inclusivity in the art world.
In conclusion, Richard Mudariki's Artworld Passport is not only an art piece but a bold statement on mobility, access, and the collective power of African creativity. As it inspires dialogue at the Investec Cape Town Art Fair, it also invites us all to reflect on our roles in shaping the global art narrative.
Gallery

highlights of new artworld passport holders

highlights of new artworld passport holders

highlights of new artworld passport holders

holders of the Artworld Passport received complimentary access to Iziko South African National Gallery and select participating museums in Cape Town,

highlights of new artworld passport holders